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In Sonny's Blues Music Symbolize

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... improvised music combined with blues and ragtime music results to the development of jazz music. Jazz music's their needs be accommodated. In "Nineteen Fifty-five," Walker, too, insists on the value and beauty of blues women and "authentic"(3) blues music, Eyes Were Watching God and the blues music of blues women like Bessie Smith rank among Walker's most significant When listening to Grange sing blues music, she likewise feels "kin to something very old (133), a musical tradition provided the setting for the lyrics that she wrote and sang. The blues is not a form of music that everybody can sing. The blues represents the experience that the musician has ...



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Sources list for IN SONNY'S BLUES MUSIC SYMBOLIZE:

Barlow, William. "6 The Music of the Dispossessed: the Rise of the Blues." America's Musical Pulse: Popular Music in Twentieth-Century Society. Ed. Bindas, Kenneth J. Westport, CT: Praeger, 1992. 53-62.
The Geography of Music

Endres, Clifford. What Hath Rock Wrought? Blues, Country Music, Rock'n'Roll and Istanbul. Journal of American Studies of Turkey, 1 (1995): 33-39. 09 December 2003. http://www.bilkent.edu.tr /~jast/Number1/Endres.html Endres, Clifford. What Hath Rock Wrought? Blues, Country Music, Rock'n'Roll and Istanbul. Journal of American Studies of Turkey, 1 (1995): 33-39. 09 December 2003. http://www.bilkent.edu.tr /~jast/Number1/Endres.html
Popular Music

Reich, Howard and William Gaines. Jelly's Blues: The Life, Music, and Redemption of Jelly Roll Morton. New York: De Capo Press, 2003.
Jelly Roll Morton

Hay, Fred J. "2 Blues What I Am: Blues Consciousness and Social Protest." America's Musical Pulse: Popular Music in Twentieth-Century Society. Ed. Bindas, Kenneth J. Westport, CT: Praeger, 1992. 13-21.
The Geography of Music

Baldwin, James. "Sonny's Blues." Going to Meet the Man. 1965.
"Sonny's Blues"

 


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